This composition samples a couple of records and chops them for the background melody – the main melody is from Jerry Butler's "The Spice of Life" and the background voices in the intro are from a ventriloquism comedy record I found. The drums are one-shots that I programmed – run through some light compression, a drum buss, and EQ. The bass is played live by me and looped. I added a few risers for tension and release.
For me, this was a practice in mixing and sound choice. I recently started playing electric bass and was eager to make a song with it. I like the energy that I created in the sample chop too. Lately, I’ve been experimenting with Ableton's warping features and used the formant shifting to give the sample that high-end sparkle.
This song started with me experimenting on electric guitar and exploring different effects. Once I landed on a loop I liked, I sat down at my electronic drum kit and played until I found a groove that fit. The vocals at the start are somewhat mumbled and autotuned—this is still a draft, and I plan to refine the intro and write a full chorus. The main verse, which is hip-hop inspired, was written and recorded by me on the same day I made the track.
For processing, I used EQ to cut some low frequencies on the guitar, along with distortion and reverb for texture. The drums have compression and a touch of reverb. On the master chain, I applied a limiter to boost the gain and a multiband compressor to enhance the low end. Since I didn’t have an electric bass at the time, I’d like to revisit the track and add a proper bassline.
This track marks my first attempt at a rock song. Recently, I built a custom guitar effect rack in Ableton, and I’ve been exploring different tones—here, I went for a sharp, clean sound, good for rhythm guitar. I played a simple groove on my electronic drum kit and processed it with compression, saturation, and reverb. I also played the bassline on my electric bass and processed it with light compression.
The vocals, written and performed by me, were processed with multiband compression, EQ, and saturation. I also sent them to reverb and delay return tracks to create depth. This track was a fun challenge, allowing me to push my production skills in a new direction.
This is a track I made with a friend. I programmed the drums using one shots. I like the thumpiness of the kick - not much high end. The snare is tight. I added some sparse hat rolls and open hats to give variation. There is a light choir pad patch in the back as well. My friend is playing the guitar chords and the melody on top. The chords and melody are processed seperately with the same chain of an EQ, compressor, limiter, gate, and reverb. The only main difference is that the melody has a high pass and the chords have a low pass.
I composed and produced this track using a Rhodes VST for the chord progression, applying compression and a light reverb send, with auto-pan as the main effect. I played the bassline using a one-shot sample on a MIDI keyboard. All the drums were programmed by me—typically played in manually on a MIDI controller. I wrote and performed the lyrics in a hip-hop/spoken word style. The track was processed with limiting, multiband compression, stereo width, and saturation.
This one came about because I wanted to mess around with the previous song - "March 11". I reversed a section of it and loved the feeling. I found a Rihanna accapella and reversed that too and chopped a bit of her vocals to put in the background. Then I added a simple kick and snare/clap - a bit swung. This is a track intended for a vocalist. All the drums are kept dry and the sampled track had some lows removed to make room for the kick.
I was playing around on the piano and recorded the session into ableton. Then I treated my playing like a sample and chopped it up into the chords you hear. I found a vocal sample to lay on too. The drums are a loop. This is meant to be a hip-hop song.
This one is pretty simple. The drums are a loop I found. The piano is played by me then chopped like a sample. The bass is played live on my electric bass. It's a hip-hop song through and through.
In this composition, I played piano, synth bass, and drums. I added some electric guitar notes and some other background percussive elements. There isn't much processing on these instruments besides a touch of reverb and saturation. The whole song is run through a master chain consisting of a limiter, multiband compressor, and saturator. The compressor is helping to unify everything and I'm giving a slight saturation to everything below 500hz. I feel like it gives some warmth to the track.
This one is more experimental and is me playing around with creating small moments of interest in a song. The bass is sparse and the drums are swung. It's maybe not what the listener is expecting. My intention is to bring them into a new world of drum swing and get their head bobbing in a way they didn't think they would.
The main melody of this beat is made using one of Ableton's warp features. I used a sample of some pre-recorded rhodes chords, then warped on quarter notes and turned down the transient decay.
The bass is also a found sample, but it's been reversed and chopped up to my liking. The drums are one-shots I programmed. The hats also have some reversed hat sounds laid in. The drums are run through a drum buss with some saturation, some tape emulation, and reverb.
The bass gets a bit intense in this because I decided to add an 808 on top of the reversed bass sample. I liked how it shook the speaker.
This one was recorded with me playing all the takes on rhodes, piano, synth bass, and drums. It was all mixed by me in Ableton.
This track uses a vocal sample chop that I really love from "Heaven And Hell Is On Earth" by 20th Century Steel Band. The bass, drums, pads, and keys are all me. It turned out to be a really beautiful mix.